Dua Lipa // The Blessed Madonna Remix…

I wanted to like this so badly. I really, really did. I know what you’re thinking … Priya? A negative review? Really? Me too. 

Levitating has been one of my favourite songs of the year, I’ve loved it ever since it was released, and it really set the tone for my personal obsession with the Future Nostalgia album. So when I heard that this disco-pop wave Dua’s currently riding was gonna be joined by not only Missy Elliott, but also Madonna, who as much as I’m not a fan, is the undeniable queen of the 80’s?

I was so excited.

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Let’s preface this by saying that this was kinda slated as a ‘club’ release, which I think on the surface level, it meets. It serves it’s purpose. But as a track? I’d take the original any day. I feel like if I were to personally hear this in a club, I’d be so fine if it was a quick little blender track, or a nice transition into the actual tune, but it just feels so disjointed and lost.

I get what they wanted to do, I really do, but I don’t feel like it worked. 

I love Dua Lipa, and I love that she brought two icons together on this track, but I think it could have been better. A lot better. Personally, Missy Elliott’s verse is a highlight, which I know some people don’t love. It’s one of the only highlights of the song for me, and that’s probably down to me loving Missy herself. The breakdown after her verse? I mean it’s decent.

With how hard-hitting and punchy the original song is, the remix should only have enhanced it. Rather, it feels like it’s been stripped of a bunch of things that made it such a track to begin with.

I think the tempo of the original song is perfection. It seems like such a little think to pick at, but tempo is a game changer when it comes to how easy a song is to enjoy and move to, and I think the remix just tries too hard to be a club mix, and the tempo is a huge factor in that. Then those wavy synths that are present throughout the entire track, and play a vital part in how well the original version flows…they’re gone? The new synths are pretty aggressive, they’re there, they just…don’t hit like the original ones, which for a club remix, I’m expecting them to. They aren’t as heavy and you don’t feel compelled to move the way you do with the original synths. Just like the tempo, the bass has been shifted to this really stock-standard club bass rhythm and melody that does nothing for the track. 

I’ll be real honest. If Melbournians were allowed to leave their houses and I was a few drinks in, hearing this at a bar, I’d probably wouldn’t care at all to pick at it the way I’m doing, so like I mentioned, it serves it’s purpose. But for such a phenomenal track like Levitating, to go out of your way to release a remix like this, with absolute icons like Madonna and Missy Elliott, it’s a bit of a missed opportunity. 

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I don’t know if I’m in a majority or minority with my opinion, as I haven’t see too many reviews for the single, so I’d love to know what you’re thoughts are! I know a few of you love Dua Lipa just as much as I do, so please share your thoughts and opinions in the comments! 

x

Priya

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Songs You Don’t Know But Should Pt. 23

Part 23??? Really??? If this specific post doesn’t highlight how lazy I truly do get sometimes, I don’t know what does. I’m currently the emoji of the chick putting her hands up and shrugging her shoulders.

Once again, in celebration of me not having the slightest iota of energy left in me to draft a complete blog post, here’s a dump of songs you probably don’t know and definitely should.

Enjoy.

 

Best Interests – Carmanah
Phone Number – Tom Bailey
Keke Boy – Duggy Dupe
War Outside- Churh & AP
Dreams – grentperez
Radio Song – Simpson
Lonely in Love – Abigail Barlow
Little Things – TRQS
The Link – Jordan Dennis, JUJO
PSYCHO HOLE – ASHWARYA
Stuck in the Middle – Tai Verdes
Funny Thing – Thundercat

 

x

Priya

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folklore // embodied

Honestly, I think I’m in love with Taylor Swift.

I don’t know if she set out to release arguably the best album of her career, but in my opinion, that’s just what she did.

I also don’t know if I’m the best person to be making statements like that because aside from her singles and a few tracks here and there I’ve rarely been an active Taylor Swift listener in the past, but damn, she did a good thing with folklore.

I think more than just her music, I’ve been super invested in her career. The shit show she went through with Kanye that kind of ruined one of the best moments of her life, which also subsequently spiraled into this whirlwind of a series of episodes that just plagued a huge portion of her career, then losing ownership of all of her masters and essentially having to start from scratch, the girls been through it. I think there’s so much she’s had to deal with, and she’s still managed to have a long, successful career. Gal must be tired.

 

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But on to folklore.

Like I said, I think I’m in love. This entire record is just so beautifully nostalgic and haunting, I genuinely wish I could go back to the moment I listened to the entire album for the first time so I could experience those feelings again.

I’m sure you’ve read one hundred and one reviews of this album already, because in keeping with my character I’m a little behind on this, so I’m just gonna share with you some of my favourite tracks from the record.

 


 

the 1
Come on. This song. So beautiful. The words, which are obviously just as strong throughout the entire album, just make it so simple and powerful. It’s so gentle, but there’s so much emotion in this one song.

my tears ricochet
My favourite song. Hands down. There’s so much anger and authenticity in this one song alone. Side note; I highly suggest you do not listen to this song for the first time while going on your daily walk because you will end up crying in public and it’s not a good look. ‘And if I’m dead to you, why are you at the wake?’ ‘You know I didn’t have to, want to haunt you, but what a ghostly scene.’ ‘You wear the same jewels, that I gave you, when you bury me.’ Come. On. Come. On. My jaw visibly dropped several times throughout this song just listening to the words Taylor was singing. Shivers every time.

seven
If I had my way, this song would be the main title motif for a modern gothic YA film, and the big build up would be playing while the main protagonist is running through the woods, with this huge looming countryside mansion in the background, after they come to a mad realisation. That’s if I had my way. That’s all I’m saying.

mad woman
Imagine thinking Taylor Swift would allow anyone to have the last word when it came to losing her masters and being taken advantage of by music industry heavy-weights. I feel like this song is Taylor’s response to that entire situation, and even the way she consistently gets portrayed in the media. It’s just so hauntingly cathartic and emotional. ‘Every time you call me crazy, I get more crazy, what about that?’. I think this is my second favourite song on the album. It’s so strong, so forceful in it’s tone, but so gentle and alluring at the same time.

epiphany
So many layers to this record. I saw so many people talking about how this song was maybe a nod to healthcare workers and front-liners during COVID and I could find no better meaning for such a beautiful song. It’s so melancholy, but suitably so.

 


 

This entire record sounds like you’re listening to the old Taylor Swift after she’s lived a life and experienced a million things, which I guess it is and you are. Sonically, it’s what I feel Taylor Swift was meant to be making, not that her past albums or singles have been bad in the slightest, rather that she embodies this record far more naturally in my opinion.

 

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I could listen to this album for days. Not gonna lie, I have been.

I’d love to know your thoughts on the album – what’s your favourite track?

x

Priya

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Welcoming Yebba Into Your Life

Sometimes I remember that Yebba exists and I forget how to act. Then I remember that there are people out in there in the world who never knew Yebba to begin with and I’m extremely upset and sad about that instead.

I feel like it should be a cardinal sin to be unaware of this woman’s existence on Earth, and that’s a hill I will happily die on.

It’s hard to accurately articulate just how much I love Yebba, and just how incredible this woman is. It’s also stupidly hard to fathom how underrated she is and how little credit she gets for doing the things she does.

It’s like that woman has vocal chords made of pure gold.

There’s one song of her’s, that I think I’ve been returning to on YouTub, minimum six or seven times a month, for the last two years. Two years this video has been ingrained in my brain. Don’t even get me started on the fact that I even bothered to attempt singing this song only in the last three months for fear of even trying to touch Yebba’s performance.

Another disaster; this song isn’t on Spotify or Apple Music. You should sure know how much that means to me. Lil old me, who holds Spotify to a somewhat religious standard, has been heading to YouTube voluntarily, just to listen to this song.

I don’t know if there’s a single time yet where I’ve watched this performance, without crying. Try it out for yourself.

 


 

 


 

There is something so guttural and raw about this song, I can’t fathom how so much emotion can be conveyed the way Yebba does. Everything about this performance is so authentic and rare, and I constantly find myself holding my breath for a large majority of the song.

You can’t help but be in awe of this woman. I mean, come on.

 

x

Priya

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Nitecaller // Space Memories

Hello boys and girls, hope you’re well.

It’s always a pleasure sharing brand new music that you thoroughly enjoy, but when it’s one of your own friends? Ten times better.

Today we’re gonna be talking about Space Memories, a surprise album drop by Melbourne producer and musician, Nitecaller.

Drawing on inspiration from artists like Flying Lotus, Jon Hopkins and Bonobo, Nitecaller’s sound is constantly shifting and evolving and adapting to meet the new levels of experimentation and discovery he’s constantly reaching with his music.

Jarrod Hambleton, the name behind Nitecaller, has already been making his own moves as a musician, playing guitar and bass in numerous bands, working as a producer for other musicians (including your gal) and making beautiful soundscapes for the art installations he’s been a part of creating.

 

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Space Memories was dropped at the end of June with essentially no promotion or marketing, and it’s humble release is what, in my opinion, made the record so beautiful and that much more appreciated.

The 10-track instrumental album brings together a blend of ethereal lo-fi guitar tones and ambient synths. For me, it was like a new wave version of Albatross by Fleetwood Mac, one of my favourite songs, mixed with the synth-y sounds and tones that I’ve come to find synonymous with Jarrod’s music and his releases as Nitecaller.

It’s incredibly minimal, but each sound has it’s own intention and place within each song, which makes everything you hear that much more beautiful and purposeful.

12:55 is undoubtedly my favourite track, as I’ve let him know, for how rhythmically melodic the way it flows is, and the way Nitecaller manages to create a innate sense of movement in a little under 3 minutes. 12:35 is also a favourite, just for how much the melody and the guitar tone lends itself to the indie lo-fi genre, but also builds upon itself as the song progresses.

If you’re on the lookout for some new music to meditate to or put on in the background as you go about your business on a quiet Sunday morning, Space Memories is the move, I promise you.

You can find Nitecaller’s Spotify page HERE and you can listen to the album HERE.

 

x

Priya

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Songs You Don’t Know But Should Pt. 22

I KNOW I KNOW I KNOW!!

I’m so very aware that my last SYDKBS post was only a few posts back and I have no business sharing another one so soon, but I promise I’m actually just scheduling a couple of super tasty posts for you right now. 

I’ll also have a bunch more time to schedule and write some new posts for you all now, considering Melbourne is going back into lockdown for 6 weeks following a string of days with an alarming number of new cases. 

To make up for it, the songs I’m sharing, are immaculate. I love all of these, hence why I’m so keen to share them with you. I’ll also have a bunch more time to schedule and write some new posts for you all now, considering Melbourne is going back into lockdown for 6 weeks following a string of days with an alarming number of new cases. 

That said, I’ve been discovering a bunch of new songs. I’ve had a great amount of genuinely incredible songs sent to my inbox, plus my friends have also introduced me to some new tunes since my last post, so strap yourselves in.

I’d love to know if you give any of these a listen – let me know in the comments below!

 

Lonely In Love – Abigail Barlow
Used – Joe Hertz, Dom McAllister, YonYon
Circus Animal – Molly Millington
I Can’t Breathe – Jerome Farah
Sunday Night – Hurricane, AirBorn Gav
If It Glitters It’s Gold – Dallas Woods
Free WiFi – Zeek Power
Hellboy – Herizen
SHALLOW – Saya Gray
Let You Know – a2k, Noah Vernon, Kobe White
Here For It All – Mike Nasa, Noah Slee
Waste My Time – Langston Francis
Bedsheets – Olivia Lunny
TAKE YOUR TIME – BOY SODA
Home for the Summertime – Solomon Fox 
12:55 – Nitecaller
Player 1 – Antzz
Drive – Ironess

 

x

Priya

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My Top 5 Most Listened To Playlists

Hello boys and girls!

You know the drill, I hope you’re all well and thriving!

For today’s post I just wanted to be annoying again and plug my own Spotify – but more specifically, my most listened to playlists, my favourite curations, the Top 5 playlists that get a real good rinse.

I have way too many playlists at this point, and I’ve given up on the idea of deleting playlists, because sooner or later, I find myself in a scenario where I know I used to have a playlist that was relevant for the moment, but because of my self-consciousness, I don’t. I know, it’s a total first world problem, but the point is – I’m a playlist snob, a playlist hoarder, and I’m not afraid of it anymore.

That said, like I mentioned, I have several playlists that just get a real good rinse. Just a few that I’m constantly returning to time and time again, whether with a purpose or just to have in the background. I present them to you below.

~~~

356 // 2020

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I think I listen to this playlist the most because it’s the most accurate representation of all the songs I’m loving at the moment in one place. It’s currently the fourth installment in my collection of 365 playlists. For those of you who’ve just joined us, my 365 playlists are my annual playlists that I create right at the start of the new year, where I add a song every single day of the year. Usually the song I add is a song I’ve heard during the day,  a song a friend has shown me while we’re hanging out, a new discovery or a song that’s relevant to whatever happened on that day. Listen to 365 // 2020 HERE.

DUCK DIVE

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If you missed the post where I first referenced this playlist while talking about one of my favourite Netflix original shows, Outer Banks, you can read that HERE, but otherwise, you can listen to DUCK DIVE HERE. DUCK DIVE serves as my little mix-up of blues, roots, some psychedelic jazz and a good dose of reggae, building on the structure provided by the exquisite Outer Banks soundtrack. It’s been one of my favourite playlists ever since I made it, it’s got a handful of followers too, even my Dad has been spinning this one.

VIBE OR DIE

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VIBE OR DIE is my ride or die. It’s immaculate, if I do say so myself. It’s an essential part of my nightly vibe routine, which I’ve had the time to perfect since isolation started. I’m one of those people who bought LED strip lights for their room, and I finally got new globes for my salt rock lamps when I realised how much time I was spending in my room. With all those on, and the main lights off, my room is the definition of ‘vibe or die’ and this playlist is perfect for it. It’s find it really fitting for relaxing car rides when I don’t necessarily feel like singing (yelling) along and just driving. It’s also currently what I’m listening to while writing now. You can listen to VIBE OR DIE HERE.

WRAP

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My love for old school rap has never left since growing up and expanding my music taste, but it’s resurfaces a ton more now than ever, and it’s my go to music when I’m doing anything like drawing or making collages and wallpapers. If I know that I’m going for a longer drive, I’ll sometimes throw this on as well, and it’s another playlist that gets a good spin when I’m just hanging out in my room. As well as some of the old rap that I grew up hearing, it’s also highly influenced by shows like The Evolution of Hip Hop and The Last Dance, both of which are incredible Netflix shows if you ever want something to watch. Check out my WRAP playlist HERE.

BETTER YOURSELF

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This is a playlist that was desperately needed, and I was super happy with myself for recognising that and getting it done. This playlist is one of my most played playlists, especially for when I’m either a) at work or b) in my feels. It’s perfect to throw on at work because I just need something that’s good to have in the background, but I also love having it play because all the songs are so beautiful and impressive theoretically, technically or vocally, that it makes it such a treat to listen to. Plus, working in a shop that serves musicians, it’s always great to have people appreciating some YEBBA, Eloise or Bruno Major. It’s got a bunch of my favourite artists featured and it genuinely sounds like a warm hug. If you wanna literally transcend, you can check out the BETTER YOURSELF playlist HERE.

x

Priya

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May Tunes

How are we at our May Tunes already??

I’m not gonna lie – this post has been sitting in my drafts, because it completely missed my mind that we’re now in June, so when the thought hit me, half-way through making myself a cup of tea, I was shocked, and ran upstairs to get this out. My monthly tunes have been my most consistent series on this blog, and if you think I’m about to miss the first monthly update after almost three years, you are greatly mistaken.

This is a chunky post because once again, due to constantly being at home, and an overwhelming amount of new music being released, as well as discovering a BUNCH of old favourites, I listened to a lot of music on repeat. That’s not me apologising, that’s just me warning you to strap yourselves in.

Here’s what I was listening to in May.

Mai Elle – Planet Vegeta: Planet Vegeta released another banger this month, and while their first single Jorja, which I spoke about in my March Tunes is still my favourite, this is still a very good song, that I highly recommend you listen to if you’re looking for a boogie.

Godspeed – Frank Ocean: May was a month for some Frank Ocean. I rarely listen to him regularly, but I’ll find myself having my moments of not wanting to listen to much else. This month was the month for Godspeed to have it’s moment, and my God, did it have it’s moment. Story time; I have never listened to this song with headphones on, don’t ask me how that’s not occurred, it just hasn’t. AND, I also didn’t know that the iPhone has speakers on both the top and bottom of the phone. That’s the context for this story. I was lying down in bed, listening to my music, and doing some reading and for some reason, I think I wanted to put my hair up, I rested my phone on my forehead, and just as I did, this song came on. The panning in the introduction of this song, SENT ME. It was like my spacial awareness was assaulted and I was in a completely different world. I know, I know. I’m an idiot, but don’t knock it till you try it.

Golf On TV – Lennon Stella: If you missed my blog post all about Lennon and her debut album, you should definitely check it out, which you can do HERE. This is slowly making it’s way to the top of my favourite songs from that album, purely because of how beautiful it is. I love the lyrics and the sentiment behind it, and everything about this song is just perfect. 

Chocolate – Kiana Lede, Ari Lennox: Two queens. Absolute queens of the game. I was shook when I saw Ari featuring on this song, and it instantly became a favourite after one listen through. Both of these ladies have killer voices and they’re two of my favourite RnB artists at the moment.

East Point – Rambutan Jam Band: This song was discovered through the deep dive of music I found myself in after watching Outer Banks. If you haven’t sussed out my post dedicated to the show and it’s soundtrack already, you can find it HERE. I was super surprised to find our that RJB are an Australian band, from my city of Melbourne, and also super bummed to find that they haven’t been active for quite a while now, so I’ll have to be content with this song and the other few they have on Spotify. It’s such a groovy song, super bluesy and I love the guitar tones in this track.

Get Money – Junior M.A.F.I.A: This song has been the soundtrack to my life, honest to God. I don’t know why I was vibing with it so hard during May, but I found myself constantly blasting it in my room all through the month.

Zero – Chris Brown: The bass intro into this song, is everything I ever need. It’s super funky and energetic and this song’s just a good time. That’s it.

FAVORITE MISTAKE – Giveon: There’s something about a super smooth baritone that just does it for me, and Giveon is no exception. His album and this song are both beautiful, and I’m in love with his voice. Definitely recommend checking out Giveon, or at least this song.

All Of The Lights – Kanye West: I don’t know why, but May was a month of just hyping myself up whenever I got the chance. I think close to three months in lock-down finally got to me and I just needed some invigorating and re-energising.

Treat Me Like Somebody – Tink: What. A. Throwback. This song was the highlight of my teen years, and for some reason, sixteen-year old Priya was super in her feels, because I was obsessed with this song. Tink’s voice, the guitar, the lyrics, the flow, everything about this song makes me feel nostalgic.

Electric Love – BORNS: I won’t lie, I don’t listen to electronic-indie music all that much, but there are a few songs that just do it for me. This being a perfect example of that. This song is so atmospheric, and I can just so vividly imagine being a fan in the middle of a mosh pit at one of his concerts and the emotions you would feel listening to this song. This is main character type of stuff. 

Hate The Club – Kehlani, Masego: Kehlani’s album did that. Like, every song on the album is a sonic treat, and the features are out of this world. While there’s quite a few amazing artists featured on the record, this has to be one of my favourite songs, hands down. The saxophone, is everything. The chorus, is everything. Kehlani, is and has always been, everything.

Just Friends – Audrey Mika: Angel gal, Audrey Mika. She can do no wrong in my eyes, but out of all of her releases, this one gets me going the most. So energetic, so bouncy and fun, I feel like it’s the perfect culmination of her years of hard work, building her huge fan-base, crafting her sound, and this song is just so her

Distance – YEBBA: Yebba came out with some more soulful heat this month, and I’m eternally grateful. This song is Beautiful with a capital ‘B’. PLUS, it’s also really easy to play on the guitar when you chuck on a capo, which is more than I can say for the rest of her songs which have funky chords, but painfully hard to play funky chords nonetheless. Being able to actually play one of Yebba’s songs and sing along was my daily dose of serotonin during the month of May.

Slum Anthem – K CAMP: This song, has me going off, the second it’s turned on and I can’t explain why. It’s not completely appropriate but…it slaps? That’s all I can say.

Rain – Aitch, AJ Tracey, Tay Keith: I first heard this song on TikTok, fight me, but I didn’t really care about it too much until this month, where I honestly know it word for word. To be honest, it’s the only song by any of these artists that I care about, and I’m totally fine with that.

Relax – Drax Project: I love Drax Project. I’ve said it once and I’ll say it again, New Zealand has some of the best music in the world and I think we all need to appreciate it a lot more. These guys are a great example of this, especially this song, which has been on repeat for the entire month. I showed it to my friend Daniel, and the highlights of May were getting on Spotify and then seeing his little icon on my friends list, listening to this song for hours on end. Job well done I’d say.

Too Nice – Mahalia: Another one of my favourite RnB artists. I was super excited when I saw Mahalia was gonna be releasing a handful of music during isolation, and the gal came through and delivered some killer tracks. This one is definitely my favourite, highly recommend you give it a listen!

All I Need – Jacob Collier, Mahalia, Ty Dolla $ign: The collaboration that no-one saw coming. This is what happens when artists from completely different genres and subcultures collide. I don’t know how to put into words the greatness of this song, all I can do is recommend you listen to it.

Cyanide – Daniel Caesar: I’m never one to turn down some Daniel Caesar, and when this came up on my Release Radar, I was all for it. It was just an added bonus that this song is so smooth. The guitar, the harmonies and backing vocals, the subtle rhythms, everything about this song screams lazy summer to me, and I love it.

I Wish – Skee-Lo: Very glad I came upon this song again towards the middle of the month. I feel like if I had to pick a handful of songs that just violently throw me back to my childhood, this song would be amongst them. It’s impossible to not be slapped with the nostalgia.

Baby Girl – Bryce Vine, Jeremih: I stumbled on this song accidentally while trying to find a completely different song, but I kept it on while I was searching for the correct song, and about twenty seconds in I had to add it to my playlists as one of my favourite new accidental discoveries. I don’t listen to a lot of Bryce Vine at all, but this song is such a tune.

Ultimate Painting – Ultimate Painting: By now, hopefully you guys have heard of one of my best friends, Tessa, who is a bit of a music curator of herself, with some of the best music recommendations I ever receive coming from the gal. She featured on the blog a little while back which you can check out HERE. The lock down laws in my state lifted a bit recently, and we’re now allowed to visit friends and family. Of course, the girls and I immediately organised a little girls night, where we cooked up some Mexican food, drank some wine and caught up on everything we missed. Tessa showed us this song while we were cooking and it was perfect for the moment. Super chilled and laid-back, very reminiscent of summer and just hanging out. 

Take Flight – Planet Vegeta: Another song by these guys, but they released this towards the end of the month, and the reception was deservedly positive. Such a funky tune, and makes for a good trifecta of releases on their Spotify page if you go give them a suss, which I definitely recommend you do. The chorus in this song is so smooth, and the rest of it is super energetic and rhythmic, I love everything about it. 

Casual – Johnny Stimson, Jeff Bernat, Jesse Barrera: Another song recommendation that I got from a friend. This one my friend Daniel showed me one morning at work, and I fell in love with it immediately. I’m a huge Jeff Bernat fan anyway, so I knew I’d like it, but I underestimated just how much. So smooth and slanky. 

Every Hour – KIAN: Haven’t had a song from KIAN in a little while, so I was stoked when I heard this was being released. It’s definitely something a bit different from him, but I love the direction he’s going. It’s a lot more of a grown-up sound, the instrumentation and the vibe of it are so smooth, and I think he’s sits really well in this new pocket. 

 

I told y’all it was a chunky one. Hopefully I didn’t drone on for too long, let me know if you had a listen to any of the songs I mentioned in this post! I’d love to hear your thoughts x

x

Priya

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PS:
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Audrey Mika // Just Friends

Hello boys and girls!

I hope you’re all well and thriving! Today’s post is gonna be a little review of the latest single released by long time You Should Hear favourite, Audrey Mika, Just Friends. 

I remember when Audrey was a lil YouTube singer, posting covers, singing into a plastic pink microphone, and now she’s one of the Vevo’s Ones To Watch, she’s been on tour, she’s collabed with KYLE, SAYGRACE and Tate McRae, and she’s killing it overall.

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Audrey’s always had an incredible voice. It’s like velvet and she always hits the right spot. So it was a given that the song was gonna be good. But boys and girls, I didn’t anticipate it to be this good.

She’s kinda on the save wave as Dua Lipa’s recent music on this track, so if you’re getting around that I can guarantee you’ll love this single. There’s so much bounce and energy in this song, something that sometimes I feel could be added to her other music, but this single is definitely earning itself a top spot on the list of favourites for me.

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I love how spacey and synth-heavy this track is, plus the chorus is a major ear-worm – you’ll have it stuck in your head for ages, I promise. Also, the vocals in this song go next level. She goes off, especially in that sweet spot, the end of the bridge, going into the last hook. I got so excited hearing it, and it just tied everything together perfectly.

I think I vibe with Audrey so much because of how wholesome and raw she’s stayed since her YouTube career has developed into a career that’s been backed and supported by a record label like RCA. She’s stayed humble and authentic, she’s still got one of her best friends as part of her team and she’s constantly interacting with her fans. I reckon that’s why hearing genuinely incredible music come out from her makes you more inclined to enjoy it and support her. That, and the music slaps.

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x

Priya

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