Five Star Reads

Friends – I’ve discovered the secret to being able to play music while reading. I really thought I’d have to resign myself to only listening to instrumentals while reading (not that that’s a bad thing in the slightest) but I’m gonna share my lil secret. It’s not really a secret because it’s stupidly simple.

Put the music hella quiet.That’s it. Just…crank the volume down. You want to be able to hear it, but…just. If you can make out the words perfectly, too loud. You want the sound of the music but not the details of it. Because it’s really all about setting the vibe.

Speaking of the ‘vibe’, when I’m listening to music, I tend to find myself listening to my vibe or die playlist, which you can find below. None of the songs are super high energy, and they don’t really require you to sing along. I’ve found myself throwing this playlist on when I’m settling in for a solid couple hours of reading and so far, no issues!

For today’s post I hope you don’t mind me branching out a bit. BookTok and BookTube have really picked up speed this year and it’s been amazing to see so many people get back into reading. Last year I was able to meet my reading goal, and this year I’m a couple books off from hitting my goal of 50 books. All this time in lockdown has obviously allowed me to increase my reading goal each time I’ve met the previous one, but it’s also allowed me to read a whole range of books, re-read some favourites and get into some solid book tracking.

For tracking my reading I used to be a faithful GoodReads user. However I’ve made the switch to StoryGraph, a black, female owned book tracking platform that honestly, in my opinion, is ten times better. It gives you heaps of stats about your reading patterns and habits, plus it just eases my mind a bit that I’m not supporting another Bezos business, ya know?

For today’s post I wanted to share my vibe or die playlist that I’ve been listening to while reading, so I thought it would be only fair to share my Five Star books. I’m pretty sparing with my ratings so for these books to snag a 5 out of 5, it’s fair to say I loved them.

Some of these books I read at the start of this year, some are super recent finishes, some I’ve re-read as part of my reading goal and others are books I saw floating around social media and bought purely because of that.

The Bell Jar – Sylvia Plath
I’m convinced that every young girl should try reading this book. I mean, anyone can read this because I’m sure it’s not just women who would enjoy it, but there’s something about the protagonist Esther, the way she speaks and describes her environment and emotions and how each time I read it, I understand more and more. I re-read this book in August and it hit me a lot harder than the last time I read it. It’s an American classic and without really spoiling anything, the ‘bell jar’ is a metaphor for Esther’s depression, her mental health and a bit of a spiral she finds herself in. I just love the way Sylvia Plath created Esther’s character, how some times you love her, sometimes you find her completely infuriating and other times you just don’t know how to feel. It’s a quick read, but it’s worth it.

After Dark – Haruki Murakami
This book. My goodness. The writing is sensational, very typical of Murakami’s style and the way he blends reality, dystopia and just complete make-believe into this one-night event of sorts just hit me when I read this the first time. I’m considering re-reading this one as well because again, it’s a quick read, but it’s a fulfilling one. Haruki Murakami is to date, one of the best writers I’ve read and the way he creates these worlds and describes sensations that are so hard to put into words just really captivates you entirely.

The Secret History – Donna Tartt
I would go as far as to say that this book is in my Top 3 books ever. My lord, the way this book sent me on a spin. I first read it back in 2016, I read it twice that year, and I only picked it up again to start a re-read this month. The writing, the characters, the way Donna Tartt dips into gothic literature and moulds it around the settings in this book just make you shiver. It’s an intense read, and it took 17-year old me two really slow reads back in 2016 to full grasp the story. It’s an intense depiction of morality, class, betrayal and evil and the pace forces you to really be ready for anything. I can’t really put this book into any more words than that. If you’ve read The Secret History then you might understand what I mean and if you haven’t, you can only really read the book to try and understand. This book has stayed with me for the last 5 years and I’m very happy I’ve started re-reading it.

On The Come Up – Angie Thomas
This book, written by the author of Concrete Roses and The Hate You Give, is undeniably underrated, especially when it stands next to titles as impactful and as popular as the two I just mentioned. It’s about a young girl named Bri who wants to make it as a successful rapper, following in the footsteps of her late father who was an underground rap legend. It covers how her dreams interweave with her reality, her mother losing her job and the lives of poor and working-class African American communities. It touches you in a way that Angie Thomas has mastered.

The Butterfly Effect: How Kendrick Lamar Ignited The Soul of Black America – Marcus J. Moore
This is the first and only biography of Kendrick Lamar, one of my favourite rappers of all time and Marcus J. Moore nails it. It covers his timeline, growing up as a young child in Compton having to manoeuvre around a life filled with gang violence, poverty and racism, channeling that into his music and his craft and fighting his way to the top of the game. You really get a sense of how much Kendrick has truly impacted the musical scene. His assistance in the resurgence of bebop and jazz within hip-hop and rap, and how much of an impact he’s truly had.

Shoe Dog – Phil Knight
I wasn’t sure what I expected when I decided to read the memoir of Phil Knight, the creator of Nike. I had an interview with the company lined up earlier this year and I was intent on knowing everything and anything about the brand I already loved. Phil Knight, is one of the best story-tellers I’ve ever read. The way he was able to reflect, replay key moments and interactions and really take you on a deep dive through the history of his life, the ideas and events that lead to creating the iconic brand and all the people involved, kinda removed that ever-present feeling you sometimes get when reading memoirs and biographies. There’s this sense of humility and gratefulness when you read his memoir and at the same time you constantly have to remind yourself that this is the man who built an empire. The humble beginnings really give you a sense of just how huge the brand is and everything it encompasses, all wrapped up perfectly in a book written by an incredible storyteller.

Song Of Achilles – Madeline Miller
I picked up this book and it really cemented my love for Greek mythology, Greek gods and their worlds. I dipped my toe into the genre, more like threw my whole foot in, by reading Troy by Stephen Fry and fell in love with it. I also previously read another one of Miller’s books, Circe, and loved it, so when I saw BookTok going bonkers for Song Of Achilles, I bought it straight away. This book ruined me. It follows the Greek god Achilles, and Patroclus, a young prince who is exiled from his kingdom and how they’re brought together, purely by chance. The way these two characters develop and blossom throughout the book really pulls and tears at all of your emotions. Patroclus is a character who you can’t help but support and empathise with, despite his many faults. His wins become yours and you share in his failures. Achilles, in a way, becomes much more human and accessible and half the time I was reading this I forgot that this was Achilles, the Greek god Achilles. Madeline Miller manages to capture boyhood, love, honour and grief incredibly in this book.

2021: The Year Of Yebba

2021 has not been kind to us. There’s been all sorts of mayhem going on around the world however for me personally, there’s been a shining light at the end of the tunnel, in the form of the queen herself aka Abbey Smith aka Yebba.

After a couple years in relative, intentional obscurity, making herself available for only a pocket full of people willing to search, Yebba has so far graced us with not one, not two, not three, not even four but five incredible singles in the lead up to her album drop this month on the 10th. Literally this week.

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I’d easily put Yebba up there with some of my favourite artists of all time. Top Ten easily. Without a doubt. She’s insane.

October Sky, Louis Bag, Boomerang and finally a Spotify version of My Mind were gifted to us this year and each one is incredibly beautiful in its own way.

I’ve already once touched on how beautiful and moving her song My Mind is and how her guttural and raw performance on Sofar’s YouTube channel regularly brings me to tears so I won’t repeat myself and waste your time. I mean it’s currently got over 18 million views so I’ll let you make your mind up for yourself HERE.

October Sky was the first single she released in the lead up to her first album, Dawn and it’s such a beautiful, quintessentially ‘Yebba’ song. Cathartic songwriting, insane runs and vocal control and this God-given talent of making you feel all sorts of emotions. I think it’s a combination of her tone, her writing style and the emotion she manages to convey through her recordings that really just hit you in the gut. She doesn’t have to be screaming or soaring on super high notes for you to feel what she wants you to feel.

October Sky has this beautiful guitar that lies in the background of the entire song, and it compliments her voice so well, especially in the first half of the song. I always find this song randomly popping into my head at the most random of times.

She also released a cover of The Past and Pending by The Shins which is just another notch on her belt, so haunting in this super simple and rustic way.

Louie Bag featuring Smino followed, released in July.

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Here’s the thing. I wouldn’t say that Louie Bag is my favourite, but I wouldn’t go as far as to say it’s not??? Does that make sense? I mean, you’ve got Yebba, that’s a given. But Smino?? Slowly becoming one of my favourite musicians too. It’s hauntingly rhythmic and her voice just floats amongst it all. Then Smino’s bridge comes in and it drives the message home super hard.

The chorus on this track is super catchy. Again, really rhythmic and percussive, though there’s only really a muted drum kit, some light strings and synth and a few added effects to fill in the space, however it just works. This song slaps. That’s all. Highly recommend. 10/10.

Boomerang is her latest release, coming towards the end of August. It’s gritty and raw and introduces this side of Yebba that I’m so excited to see more. There’s this super groovy bass line in there that just chugs along like a steady train and keeps the song really moving and her voice just dance all over this track. She doesn’t really try and show off too much in terms of vocals and trills and runs but she still manages to leave you in awe. I think it’s her delivery. There’s just so much intention and emotion in every line she sings. It’s so effortless.

Honourable mention just HAS to go to a track by Lucky Daye, How Much Can A Heart Take which our girl features on.

The way this song has me by the neck. Choke hold. Captive. I could play this song on repeat all day, everyday. I forced myself to learn new, super hard big-girl guitar chords specifically so I could play this song and sing along because at this point I’ve got this song running through my veins keeping me going. Lucky Daye has been one of my favourite artists this year. His album Table For Two is ridiculously good, popping with incredible features and beautifully written songs that get stuck in your head for hours. Obviously, for clear enough reasons, this song is my favourite on the entire track.

Ever since it was released, ever since they performed it live on Jimmy Kimmel, it’s run my entire life. But we’re here to talk about Yebba. About Abbey. Unless it’s somehow escaped you so far, girl can sing. This song is insane and credits to Lucky Daye but honest to God it’s her verse and chorus that completely make this song. At least for me. Make your own choices here.

Here’s hoping I don’t go AWOL again and I make it back in time to give y’all a full review of Yebba’s album Dawn when it releases on the 10th of September! Let’s see.

x

Priya

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Welcoming Back Live Music With Ocean Alley

It’s been a long time since I’ve shared a live music recap with you. It’s been a hot minute. Partially because I’m lazy but mostly because the last concert or live gig I went to was over a year ago in February 2020. We’ve had some ups and downs, we’ve had concerts moved, concerts completely cancelled, but finally, Melbourne, the live music capital of Australia, returned in all it’s glory with a list of incredible line ups and artists.

I saw Ocean Alley at The Sidney Myer Music Bowl on the 24th of March, and to say I was keen is an understatement. The OA concert only faced one scheduling shift due to COVID19, and that too not even that bad, just being moved back two months. In comparison to some of the concerts that have been shifted to the end of the year or cancelled entirely, I couldn’t be mad.

I went with my cousin Alishia, as well as one of my best friends Tessa and her boyfriend. We had a great little table for the four of us and between the music, the drinks, the food and the great company, it was one of the best nights out I’ve had in a long time.

The Grogans, who you may be familiar with some past blog posts, kicked off the night. It’s a bit of a full circle moment, considering they were the last concert I attended back in 2020. They brought their usual energetic charisma and punch to the big stage, followed by Maddy Jane and Slowly Slowly, two more amazing Australian acts.

When Ocean Alley finally got on stage, it was to a huge applause. The socially distanced concert, with everyone organised into mini stages of their own amongst the grass and with tables for smaller groups sprinkled across the many levels of the Sidney Myer Music Bowl was far better than I imagined it would be.

I did my old ‘find best tickets available‘ when purchasing tickets, so imagine our suprise when we were led to the front section and given a table right in the middle. It was a great stroke of luck. Turning around and seeing just how many people were packed onto the grass made it even luckier. It was such a great outcome for live music and Ocean Alley really turned it on for us.

Ocean Alley has been one of my favourite bands for the longest time, and this was my third time seeing them live, yet time and time again, their concerts are some of my favourites to attend. Their always bring such a warm and relaxed energy, while all being incredibly talented musicians individually and as a band.

Getting to hear some of my favourite songs like The Comedown, Infinity, Wet Dreams, Yellow Mellow, Way Down and their hits like Knees, Confidence and Tombstone was such a great way to get back into the live music, gigging mood. Such instant mood-boosters.

I was only a little bit sad that they didn’t play Partner In Crime, my all time favourite OA song, which I streamed over 130 times last year according to my Spotify Wrapped

If there was a lowlight to the show it’s that it finished so quick. I mean, they finished off Knees and I genuinely thought we had about half an hour to go, so was instantly shocked when they thanked everyone and walked off stage. Like, super cool walk off, but I wanted more!!

I guess I just have to hope they play some more tunes when I see them next week at Byron Bay’s Bluesfest….

x

Priya

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Songs You Don’t Know But Should Pt. 25

Hello friends! I hope you’re all well. I just thought I’d check in as I sporadically tend to do, but not empty handed – I clearly have some tunes I believe you all need to hear. I’ve been listening to an abundance of new music recently, especially music coming out of Australia, so there’s a fair few Australian artists in this little ‘song dump’ I’m presenting to you.

Let me know if you give any of these songs a listen, I’d love to know if you find a new track to add to your playlists. That said, if you rather someone else to do the work for you, I’ve done all the heavy lifting and compiled a playlist packed with these songs plus heaps more, which you can listen to HERE. Otherwise, you can check out the rest of the playlists I’ve created, on my Spotify HERE.

Here’s the tracks.

Somebody Loves You – Carla Wehbe
baby blue – demspey hope, Olivia O’Brien
Wobble – King Green
Tv – Araya
Keynote Interlude – UNO Stereo, Jordan Dennis
20 Year Dream – The Neighbourhood Watch
Please U – Becca Hatch, Planet Vegeta
Disco Man – Remi Wolf
Trippin – Kara Marni
dust – RIMON
FRIENDS – Carliane Tamara
Like I Do – Alisya Rae
Come In To Love – Ellen Mara

x

Priya

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The Local Radar

Hello and welcome to a new series I’m committing to; The Local Radar, where I plan on doing my part to share the incredible talent coming out of Australia and New Zealand.

Each month I’ll be sharing five artists who you definitely need to check out, and to kick it off I’ve got some incredible tracks and musicians.

Mia Wray – Work For Me

Mia Wray is a Melbourne singer, who released her single, Work For Me earlier this year. Fans of vocalists like Florence Welch and Bishop Briggs will adore Mia’s voice and how strong and present it is. She dances over this track so seamlessly, letting layers and layers of harmonies provide the framework for this track. The song is incredibly dynamic and over the course of just a little more than three minutes you go from this simmering siren call vocal set-up to an anthem building on a killer horns section and electric guitar. The vocals keep soaring, and it’s a hook sure to get stuck in your head.

Liyah Knight – Mine

The next track is called Mine, and it’s the first single from Sydney-born artist, Liyah Knight. This track alone is enough to get you keen to hear whatever Liyah decides to deliver next. It’s a bite-sized track, but there’s plenty of soul injected into it, giving you Mahalia or SZA energy in a beautifully unique way. Liyah’s voice is front and centre, only enhanced by a simple guitar riff and some synths, even at the songs climax. Not one to miss, for sure.

BLESSED – Something To Believe In

Earlier this month, Western-Sydney rapper, singer and producer BLESSED released his single, Something To Believe In. It’s hard to put the track into a box, genre-wise, as it pulls together these indie-rock sounds into a pop/rap space to create a uniquely intimate and honest track that hits you in the gut with it’s production and humble vocal performance. It’s a song that breaks down genre barriers and definitions and BLESSED just pulls it off so effortlessly.

PLGRMS – Limbs

I first spoke about PLGRMS back in 2018 when they opened for Dean Lewis. They’ve popped back on the radar since then, with a bit of a comeback single in their track, Limbs, which came out in early September. Limbs is a cinematic and dynamic, ever-growing track that completely envelopes you in the best way possible. Synths, intricate pockets and soaring vocals really combine magically on this track, it’s one of those ‘driving through a tunnel’ kinda songs, if you know what I mean.

MiCCY – Tug of War

If funk, soul and everything in between is what you’re after, MiCCY, a 21-year old from Queensland, has truly got you covered with this absolute tune of a single, Tug of War. If a neck-breaking bass line and disco-synths aren’t enough to keep and capture you, her vocals most definitely will, with MiCCY literally swimming over this track. The track is the perfect combination of influences that pull from funk, soul, RnB with some throwback 80s sounds in the mix. It’s everything you could ever ask and if it’s any indicator of what MiCCY’s got in store, it’s well worth waiting for.

Keep an eye out – I’ll have more amazing artists with more amazing tracks coming your way soon! In the meantime – get around all the socials so you don’t miss anything and let me know if you find a new tune for your playlists!

x

Priya

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Still Lovin’ Mahalia

Hello friends and family, hope you’re all well.

Today’s post is going to be another artist spotlight. I haven’t done one in a hot minute, most of them have been interviews from up and coming artists, so it’s been a while since I just shared an artist I’ve been genuinely enjoying.

That said, here we are with precisely that, and if the title didn’t allude to it enough, I’m gonna be rambling about Mahalia.

As of recently, she’s announced that she’ll be releasing her debut album, LOVE AND COMPROMISE in September, so now we truly have something to look forward to.

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I first discovered Mahalia when she released Sober in 2017. It’s the slanky type of RnB that I just love, throws you right back to the 90s, and I instantly fell in love with her voice. The acoustic version came shortly after that, as well as the Jarreau Vandal remix, and I was obsessed.

The next song to really have me hooked was I Wish I Missed My Ex which she put out in 2018. The music video to date, is still one of the coolest ones I’ve seen.

 

It took me a little while to jump onto the Mahalia train straight away, and unfortunately, it was in this time that I attended Falls Festival, where Mahalia had a set. And I missed it. I can’t even remember what I saw instead of going to her set, but in short, I didn’t see her when I had the chance. Lesson learnt.

Since then, I’ve become obsessed with several of Mahalia’s songs. That’s OKSimmer which she released super recently, Do Not Disturb and one of my absolute favourites, Honeymoon. 

There’s something about Mahalia that violently throws me back to being a little kid and listening to artists like Ne-Yo, Brandy, Destiny’s Child, Usher, Alicia Keys and so many other incredible RnB artists from the 90s and early 2000s. However, she does so without compromising what makes her unique and so current today. All of her songs have ridiculously catchy hooks and melodies and the musicality in her records is always impressive, regardless of how subtle it may be.

Her EP, Seasons, which she released last year is a collection of five songs which I reckon were a great way to really introduce Mahalia to a brand new audience who were only just discovering her. The five songs are all so cohesive with each other, but have their own little things to celebrate, whether it’s the incredible chorus in Honeymoon, the simplistic structure yet impressive lyrical rhythm in That’s OK or the smooth jam that is Good Reason.

Most recently, her single Simmer, which features Burna Boy has been really stuck in my head, and it’s made for a great warm, summery tune to keep me going through the winter that’s been keeping us all hostage here in Melbourne. If you haven’t had a listen to it already, I can’t recommend it enough. Get around it.

I think everyone, especially fans of soul music and RnB like myself, should take the time to listen to the EP and definitely the album when it comes out, all the way through, back to back. I’m genuinely so excited for what Mahalia’s going to be sharing with this upcoming record, what she’s delivered so far has really hit it’s mark.

She’s a front-runner for 2019.

x

Priya

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Nick Lopez // One To Keep An Eye On

Hello everyone! Today’s post is going to be dedicated to a singer/songwriter who genuinely excites me, Nick Lopez.

I’d initially heard of Nick through Justin Escalona’s Daily Docs, which is how I also came to discover Christian French, so when I was given the opportunity to chat to Nick about his latest single, Posters, a song that’s been over a year in the making, I couldn’t pass it up.

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Posters is a song that perfectly slips into that cruise-y, atmospheric pop sound, as does a lot of other songs Nick as released. The story behind the song, which features LA singer Dominique, is equally as beautiful. “It’s about missing someone important to you, and “making friends” with things that remind you of them”, according to Nick.

The song is the product of a completely new and fresh collaboration for Nick. “Me and Dominique were introduced at an event and we set up a writing session
with one of my favourite producers Midi Jones. The first time we ever worked
together we made this song!”

“It was a duet from the get go. I knew it felt right.”

Nick is no stranger to the music scene though. Having written for artists like Lady Gaga, ASTN, Annie LeBlanc and You Should Hear favourite, Christian French, it’s always a little different releasing music for himself. “Releasing my own music is great because I am in complete control and people are fully aware that it’s me who wrote the song, but I also love writing with up and comers like Chris and many others because they are so talented and bring their own unique abilities and vision into the session.”

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However, his experience means he’s already a professional at pulling together these contagious songs that stick in your head, garnering himself fans all over the world.

His 2016 single Pink Champagne found huge success in China, and finally getting to go over there was an experience in itself for the LA artist. “Most insane experience of my life. Every teenager in the country knows that song. You walk around the mall and hear it playing, in restaurants, bars, on the radio, everyone knows it. They freak out when they realise it’s me haha. I can’t wait to go back.”

Posters is a step away from the upbeat pop track however, and Nick describes the sound perfectly. “It’s a lot more mature in my opinion, it’s also the first “moody” song I’ve ever
made, it’s slower, more emotional, less mainstream pop.” The maturity of the song really makes the lyrics stand out with this song, and it’s something Nick is excited for fans to hear.

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You can stream Posters HERE, and make sure to follow Nick on Instagram, FaceBook, Twitter and YouTube!

x

Priya

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GIG GUIDE 2019 // SO FAR

Hello hello hello!!

Hope you’re all well and good – today’s post is an attempt at the subtle brag. It’s not entirely subtle, but I’m sharing it as humbly as I possibly can. I’ve shared a Gig Guide before, if you’d like to check out my 2017 Gig Guide, you can find it HERE, and for the basic Gig Guide for 2019, which has changed a little bit, you can find that HERE, but for the most updated version of what’s happening with me gig wise in 2019, keep on reading!

Why suddenly share another Gig Guide post when the year is only half way done, you ask? Because today, I bought tickets to four different gigs. In one day. Define; insanity. Also, define; impulse spending. That said, I’m insanely excited for literally all the gigs I’ve got lined up so far.

So let’s get into it!! Any gigs with applicable posts will be linked, I highly suggest you check them out!

FEBRUARY

LANEWAY FESTIVAL
Honestly, 2019 started amazingly. I started the year at Falls Festival, which you should definitely check out HERE, and by February, I was ready to keep the momentum going, which came in the form of Laneway Festival. Laneway was a fantastic festival, with a stellar lineup, and despite a rocky start to the day I had a fantastic time. I saw some amazing acts like Masego, Rex Orange County and DJDS, and had heaps of fun with my gal pals taking photos, hanging out and chatting and listening to amazing music.

LAURYN HILL
Lauryn Hill. The queen. She’s one of my favourite musicians ever, so getting to see her live, especially now, was a once in a lifetime opportunity – that said…I’ve seen her twice??? She was amazing, and it was a masterclass in musicality.

MARCH

JOHN MAYER
John Mayer, may just be God’s gift to the world. I say this about a lot of people, but I mean it this time. I mention in my recap of the concert, but he’s one of those artists who’s just been there forever, if you know what I mean? There are so many songs we love by John Mayer, but never think about until you hear them. Not only is he a musical genius, but he’s truly been a huge part of my life in terms of his songs, his artistry and his talent.

APRIL

MATT CORBY
Again, a magical, magical man. This was one of the most beautiful live shows ever. He was so humble and gentle when speaking but put so much passion and power into his songs. I was completely still for majority of this concert, just in awe of the musician on stage.

BLUESFEST
I promise, a BluesFest post is coming. I’ve said it a million times, but it’s one of the heftiest posts to do, which I learned last year, but I promise it’ll come up eventually. BluesFest was so amazing, this year was definitely better than last year for several reasons, but there were some incredible acts for 2019. People like Hozier, Ocean Alley, Allen Stone, they were all such class acts, and I’m so glad I got to see them.

MAY

G FLIP
What. A. Cutie. G Flip put on such a great show, with the perfect balance of energy and vulnerability between all her songs, many of which were unreleased. The energy of the show was fantastic and I thoroughly enjoyed myself.

LAUREL
I got the chance to see LAUREL through my university placement, at a magazine where I reviewed the gig. She has one of the most beautiful voices I’ve ever heard and it was a great opportunity to see her live. She didn’t disappoint and I’m still obsessing over her music.

THE FORECAST – AS OF TODAY (12/06/19)

So there are quite a few shows I have lined up for the rest of the year, since I haven’t been to them yet, I won’t really expand on them – but definitely keep an eye out for the posts when I do go.

JUNE

KIM CHURCHILL

JULY

ELIOTT
KAIIT
CHILDISH GAMBINO

SEPTEMBER

JULIA MICHAELS
BRUNO MAJOR

OCTOBER

SHAWN MENDES

NOVEMBER

JON BELLION
SPILT MILK FESTIVAL

So there you have it! I’m clearly super excited about the music I’m experiencing this year – I honestly doubt the list will stop here, you’ll probably end up seeing a few more gig reviews than predicted as of now, but that just means more content for you!!

Hope you enjoyed this post, let me know what your favourite gig of the year so far has been! I’d love to know what everyone else is heading to!!

x

Priya

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Another Jon Bellion Post

Hello friends! Hope you’re all doing well, it’s your resident President of the the Jon Bellion fan club here, coming at you today with a brand new song, from the gift that keeps on giving, the man himself.

As if an album, a magnificent album too, Glory Sound Prep, wasn’t enough, Jon had to drop some ridiculously reasonably priced merchandise – I’m talking $70 total for a hoodie and t-shirt – with shipping to Australia included – he also then had to announce a tour. A tour I’ve been waiting for, for close to five years. And because that wasn’t enough, without any promotion or warning he dropped a surprise documentary about the make of GSP, and now? Now he’s gone and released another track.

It’s obviously been a wild couple of months for me, as you can tell.

Let’s just get into the song.

Crop Circles.

It’s honestly so good, and I’m not just saying that because I’m unprofessionally biased. Jon shared a few videos on Instagram and Twitter of him setting the song up, finding loops and percussion pockets, which by now, we know he’s somewhat a god at.

https://twitter.com/jonbellion/status/1133825673703903235

It follows the story of a relationship that just seems  to crumble, and the different stages of it coming to an end. There’s some wicked sampling and production in this song, but are we really surprised?

It’s another collab with his producers Mark and Volta who’ve contributed heavily to the creation of this sound that Jon’s seemed to have nailed down. I feel like this song has the potential to reach All Time Low success. I mean, I hope so.

https://www.instagram.com/p/ByGQ7xCh0Pl/

The chorus is such a contrast to the verses, which have so much energy and punch to them. That’s not to say the chorus is any less impressive than the rest of the song. It’s a nice stretch of Jon’s beautiful vocals and I love the rhythm within it, especially towards the end of the song where it keeps vamping and vamping.

I’ve been so impressed and inspired by all the developments and growth that’s taken place with Jon and his music since the release of The Human Condition in 2016. Instead of remaining comfortable with the success he’s achieved and how well that record did, it’s like he used everything he gained from that to push the envelope even further.

I’m so excited for the tour man. Can’t wait.

 

x

Priya

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An Evening With Ms. Lauryn Hill // Live

Hello hello!

Today’s post is gonna be a rundown of one of my most anticipated concerts this year, Lauryn Hill’s 20th anniversary tour for The Miseducation of Lauryn Hill, one of the most iconic albums released ever in my opinion.

I spent most of the day of the concert listening to the album and a few other songs from Lauryn, before getting ready and heading into the city to meet my cousin at Flinder’s Street Station. It was getting pretty chilly so I was very grateful to have a jacket with me for the little walk we had around the city.

We decided to find something to eat for dinner before we headed to the concert, so stopped at The Oriental Teahouse, where we enjoyed some of the best fried rice, prawn and ginger dumplings and san choi bao I’ve ever had. We also had the cutest brewed ice teas in giant mason jars. It was a great dinner and a great way to start off the night.

Finishing up with dinner we jumped on the tram and made our way towards the Sidney Myer Music Bowl were the concert was being held.

It was already pretty busy by the time we got inside the grounds, but we still had plenty of time to head to the merchandise stand where I got the sickest t-shirt ever and my cousin got a really cute, high quality tote bag. Lauryn Hill did not mess around when it came to her merch. After a quick stop at the toilets before the show, we made our way down the hill and found a spot further up the back which gave us a great view of the Music Bowl as well as plenty of room to both sit down on the grass while waiting and stand up and have a boogie when the show started.

 

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Nas was the opening act and he did an incredible job of hyping everyone up, performing plenty of his older classics as well as his more recent songs. It was the perfect opener for Lauryn Hill, clearly, and he got the crowd hyped and ready for the main show.

There was a short DJ set following Nas, where plenty of old school RnB and hip hop songs were played, and then finally it was time for Lauryn Hill.

She sang so many classics man. Lost Ones, Forgive Them Father, Final Hour, Every Ghetto Every City, Superstar, even a cover of Frankie Vallie’s Can’t Take My Eyes Of You. She obviously sang Ex-Factor and I was really hoping she’d rap over Drake’s Nice For What which he samples the song in like I’d seen her do at a concert online, but sadly she didn’t.

She made up for it by singing To Zion though, just as I was reaching peak enjoyment, and I think everyone around my cousin and I could hear us singing (screaming) along. After The Miseducation of Lauryn Hill she got Nas onstage to perform If I Ruled The World which had everyone going mental. Lauryn fans and Nas fans all collectively lost control and screamed the entire song back to them.

 

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Watching her on stage, squinting to see her in the flesh or even watching her on the huge screens, was mesmerising. She was so in control over everything little thing that was happening on stage, and her band were incredible in keeping up with her, taking note of when she decided to improvise, pushing through when she asked more of them.

Throughout all of this year and most of last year, all the feedback I heard about Lauryn Hill and her show was that she was a huge diva. I’ll say this, definitely see how that could be the case. But, whoever is doing her sound system and backline should lift their game. There were a few sound issues towards the start and throughout the concert it was clear that Lauryn was trying to tell them she couldn’t hear herself or anything coming from the fold-back, regardless of how flawlessly she was performing. It was only by the last half of the set that everything slipped into place and settled, but for an artist such as Lauryn Hill, that should not have been an issue in the first place, so if she was being a diva? Damn right she should be a diva. Her messages throughout the concert of acceptance and love and social responsibility were spot on and got everyone cheering for her, so to be fair, I can handle her being a bit of a diva if it means she puts on the show that she did.

She really decided to end with a bang, performing Doo Wop (That Thing)  next, which kept the momentum going. By this point I don’t think anyone was left sitting down, my cousin and I and everyone around us were all up having a groove.

 

The final song she performed was Killing Me Softly and I swear I nearly started crying. It was such a great song, she performed beautifully and it blew all my expectations and memories of Blues Fest out of the water.

 

x

Priya

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